| OASIS |
Oasis 2006, mix media installation sculpture with assorted clothing, 480x360x300” installation is adjustable in size. installation view Chicago Cultural Center, Chicago, IL. 2006 |
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SURREAL ESTATE ![]() Surreal Estate 2007, mix media installation sculpture with assorted clothing, approx. 24x48x24" |
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CANOPY | Canopy2006, mix media installation with assorted clothing, 168x336x240" installation is adjustable in size. installation view Grendel Miami, FL. 2006 |
THE GARDEN![]() The Garden 2004, mix media installation with assorted clothes, approx. 180x60x72" installation is adjustable in size. installation view Hollywood Cultural Center, Ft.Lauderdale, FL. 2004 |
EDEN |
![]() Eden 2003, mixed media installation with assorted clothing, aprox. 156x300x240” installation is adjustable in size. installation view Miami Art Museum (MAM) Miami, FL. 2003 |
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| EXHIBITION PROGRAM ARTIST WAREHOUSE ART SPEAK MEDIA ROOM ABOUT CONTACT SUBMISSIONS CTS (917)826.5550 mailing address 635 Humboldt Street #3L Brooklyn NY 11222 info@creativethriftshop.com |
Artist Statement: Everything ends up going back to the earth in one way or another. Whether it is through the simple act of carelessly tossing litter out of your car window or as complex a process as making the highest quality soil out of tons of perishable waste, the garbage we dispose of acquires a new life when it is removed from its original purpose and incorporated back into the land, taking on a different role as part of the environment. |
Artist Statement: In the novel Hothouse, by Brian Aldiss , half of the Earth is covered by a huge banyan in a future where individual trees discover the ability to join together as one. In Canopy, we take this idea and symbolically create such a tree as a metaphor for the human race. Made entirely out of used, discarded clothing, it is an analogy for the destructive forces of what appears to be an unstoppable growth in population fueled by a global culture based on consumption and disposability and it's straining effects on the environment. Yet, a banyan's ever-expanding branches have come to represent eternal life, supplying hope through the power of uniting for a cause, enabling us to overcome all obstacles. Garments of varying hues and textures are knotted to form ropes that hang from the exposed wooden rafters of a gutted interior of what was once a thriving grocery store in Miami, and are twisted to form a massive trunk of interlinked roots and branches that like the banyan symbolize unity within diversity. The installation gives the impression that it cannot be contained, visually breaking though the floor and ceiling. Forbearing structural supports or hardware, we rely on gravity rather than attempt to defy it as we strive to imitate these majestic trees' growth patterns while the piece seemingly appears to be both hanging and growing. |
Essay by director Peter Boswell Miami Art Museum: This installation of Miami Art Museum's permanent collection showcases the recent acquisition of six works by Joseph Cornell donated to the museum by the Joseph and Robert Cornell Memorial Foundation. The exhibition explores the varying ways in which artists from the mid-twentieth century to the present have taken their inspiration from images and objects borrowed from the world around them. The exhibition includes works by an international roster of artists, such as Marcel Duchamp, Robert Rauschenberg, James Rosenquist, Gabriel Orozco, and others. In addition to works from MAM's permanent collection, the exhibition includes loans from a variety of other sources, as well as site specific installations by Miami artists Guerra de la Paz and Tom Scicluna. "Guerra de la Paz make sculptures and environments from second hand clothes that hey accumulate in vast quantities. In Eden 2003, they use these cast-offs to create a landscape that evokes a biblical paradise where all was new and unsullied” |
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