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Ron Rocco, Structures of Detention Series (Brooklyn Navy Yard), 2000, Silkscreen ink on NY Law Journal, 11 total in series, 65x4x48in (120x10x162cm)Images courtesy of {CTS}creativethriftshop |
Ron Rocco, Structures of Detention Series (Bay View Detention Center), 2000, Silkscreen ink on NY Law Journal, 11 total in series, edition of 2, 24x35.5x5in (60x85x12cm)mages courtesy of {CTS}creativethriftshop |
Ron Rocco, Structures of Detention Series (Brig at Navy Yard), 2000, Silkscreen ink on NY Law Journal, 11 total in series, edition of 2, 24x35.5x5in (60x85x12cm)Images courtesy of {CTS}creativethriftshop |
Ron Rocco, Structures of Detention Series (Edgcomb Detention Center), 2000, Silkscreen ink on NY Law Journal, 11 total in series, edition of 2, 24x35.5x5in (60x85x12cm). Images courtesy of {CTS}creativethriftshop |
Ron Rocco, Structures of Detention Series (Federal Building at 125th St), 2000, Silkscreen ink on NY Law Journal, 11 total in series, edition of 2, 24x35.5x5in (60x85x12cm)Images courtesy of {CTS}creativethriftshop |
Ron Rocco, Structures of Detention Series (Federal Building at Flushing), 2000, Silkscreen ink on NY Law Journal, 11 total in series, edition of 2, 24x35.5x5in (60x85x12cm) Images courtesy of {CTS}creativethriftshop |
Ron Rocco, Structures of Detention Series (Lincoln House of Detention 110th St.), 2000, Silkscreen ink on NY Law Journal, 11 total in series, 24x35.5x5in (60x85x12cm)Images courtesy of {CTS}creativethriftshop |
Ron Rocco, Structures of Detention Series (Tombs North Building), 2000, Silkscreen ink on NY Law Journal, 11 total in series, 24x35.5x5in (60x85x12cm) Images courtesy of {CTS}creativethriftshop |
Ron Rocco, Structures of Detention Series (Tombs South Building), 2000, Silkscreen ink on NY Law Journal, 11 total in series, 24x35.5x5in (60x85x12cm)Images courtesy of {CTS}creativethriftshop |
Images courtesy of {CTS}creativethriftshop |
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RON ROCCO Lives and works in Berlin and New York Born USA | 1953 Working from Berlin and New York, artist Ron Rocco sculpts material assemblages and deeply referential interventions of signs and space. Tracing back to the scrap metal yards that colored the landscape of his Bronx youth, Rocco's practice reveals a clear fascination with material structures and their mutable functions. Occupying a place between sculpture, installation, painting and performance, Rocco's raw aesthetic exposes a potential within inert materials. His objects and assemblages relate nostalgic associations and critically examine signs in and out of context. His sculptures exist as symbols, with layered references to a conflicted identity, personal pathos and a sharp political consciousness. |
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