2010 Volta New York, presented by {CTS} creative thriftshop, New York
2010 Madrid Foto, presented by {CTS} creative thriftshop, Madrid, Spain
SOLO EXHIBITS
2011 Electromediascope, curators Gwen Widmer and Patrick Clancy, Nelson-Atkins Museum Of Art, Kansas City, MO.
2010 Untitled Nude Amy Greenfield, curator Lynn del Sol, {CTS} creative thriftshop, Brooklyn, NY.
2009 Club Midnight Flesh Into Light, curator Jeff Goad, Leonard Nimoy Thalia Theater at Symphony Space, New York NY.
2008 Club Midnight, curator Barbara Scharres, Art Institute of Chicago’s Gene Siskel Film Center, Chicago, IL.
2007 Club Midnight, curator Ray Privett, Two Boots Pioneer Theater, New York, NY.
2004 Antigone/Rites Of Passion, Summer Olympics Pre-Celebration, Athens, Greece
1999 American Avant-Garde Film Amy Greenfield, curator Michael Friend, Bologna Ritrovato, Bologna, Italy
1997 The Body Hidden And Revealed, curator Stefan Pierce, Harvard Film Archive, Cambridge, MA.
1997 Raw-Edged Women, curator David Koh, Anthology Film Archives, New York, NY.
1996 Raw-Edged Women, curator David Schwatrz, American Museum Of The Moving Image, Queens, NY.
1996 Raw-Edged Women, curator Jonas Mekas, Anthology Film Archives, New York, NY.
1995 Antigone/Rites Of Passion, curator Dominique Bax, Theatres Au Cinema, Paris, France
1995 Kultur Antigone/Rites Of Passion, Russian National Television, Russia
1992 Antigone/Rite Of Passion, curator Milos Stehlick, Facets Multimedia, Chicago, IL.
1992 Antigone/Rites Of Passion, Village East Cinemas, New York, NY.
1991 Antigone/Rites Of Passion, curators Jytte Jensen and Lawrence Kardish, Museum of Modern Art, New York, NY.
1991 Antigone/Rites Of Passion, curator Jonas Mekas, Anthology Film Archives, New York, NY.
1991 Antigone/Rites Of Passion, curator Ken Wlaschin, American Film Institute at Laemmle Downtown, Los Angeles CA.
1991 Antigone/Rites Of Passion, Coolidge Corner Cinema, Boston, MA.
1991 Antigone/Rites Of Passion, curator Bruce Posner, Alliance Film Video Project, Miami, FL.
1990 American Independent Film Antigone/Rites Of Passion, curator Linda Hansen, Berlin Film Festival, Berlin, Germany 1990 Antigone/Rites Of Passion, curator Vlada Petric, Harvard Film Archive, Cambridge, M.A.
1990 Antigone/Rites Of Passion, curator Gerald O’Grady, Media Study Buffalo, Buffalo, NY.
1985 Amy Greenfield Video and Holography, Boston Film Video Foundation, Boston, MA.
1985 Video Dance of Amy Greenfield, Dade County Library, Miami, FL.
1984 Amy Greenfield dance film & video, City Movie Center, Kansas City, MO.
1984 Amy Greenfield Presentation and Discussion of Dance Videotapes curator Gerald O’grady, Media Studies Buffalo at Sunny Buffalo, Buffalo, NY.
1983 Cineprobe An Evening With Amy Greenfield, curator Lawrence Kardish, Museum of Modern Art, New York, NY.
1983 Amy Greenfield New Video And Holography, curator: Howard Guttenplan and Bob Harris, The Millennium
1982/83 Amy Greenfield, curator Alassandro Silj, Video Roma, Rome, Italy
1982 Amy Greenfield, Coolidge Corner Cinema, Boston, MA.
1982 Soho Cable, curator Jaime Davidovitch, Manhattan Cable Television, New York, NY.
1981 Amy Greenfield, curator Edith Kramer, Pacific Film Archives, Berkeley, CA.
1981 Amy Greenfield Film And Holography, San Francisco Cinematheque at the San Francisco Art Institute, San Francisco, CA
1981 Meet The Makers Video Amy Greenfield, Donnell Library Center NY Public Library, New York, NY.
1981 Amy Greenfield, curator Charles Reinhart, American Dance Festival, Durham, SC.1980 Amy Greenfield The Wave Holography and Film Loops, curated by Jenny Okun, Film London Third International Avant-Garde Festival, Hayward Gallery London, London, England.
1980 Amy Greenfield film and holography in Independent Filmmakers, Dryden Theater at George Eastman House, Rochester, NY.
1980 Amy Greenfield video, Portable Channel, Rochester, NY.
1980 The Wave Holography & Video, curator Robert Harris, PS1 Art Space, Queens, NY.
1979 Amy Greenfield video, curator David Ross, Institute of Contemporary Art, Boston, MA.
1979 Amy Greenfield Film and Holography, Portland Art Museum, Portland OR.
1979 Videotape For A Woman And A Man, curator William Judson, Carnegie Institute, Pittsburgh, PA.
1979 Amy Greenfield, curator: Robert Haller, Pittsburgh Film-Makers, Pittsburgh, PA.
1979 Amy Greenfield, Marquette College, Milwauki, WS.
1978 Amy Greenfield, curated by John Reilly and Julie Gustafson, Global Village, New York, NY.
1978 Amy Greenfield, curated by Elaine Summers, Experimental Intermedia Foundation, New York, NY.
1977 Pittsburgh Filmmakers, curator Robert Haller, Pittsburgh, PA.
1976 The Video Art of Amy Greenfield, curator Shigeko Kubota, Anthology Film Archives, New York, NY.
1975 Amy Greenfield Video and Live Performance, curator Carlotta Schoolman, The Kitchen Center For Video, Music And Dance, New York, NY.
1973 Video Art by Amy Greenfield, curator Steina Vasulka, The Kitchen, New York, NY.
1972 Amy Greenfield, Lincoln Center Auditorium for the Performing Arts, New York, NY.
1972 Amy Greenfield, curator Howard Guttenplan, The Millennium, New York, NY.
2010 Indomitable Women section of Pandora’s Box, curator Macu Moran, BAC at Center of Contemporary Culture of Barcelona and Fundacio Miro, Barcelona, Spain.
2010 Camera Dance, curator Jenelle Porter, Institute Of Contemporary Art, Philadelphia, PA.
2009 Poetry And Film, curator Angela Joose, Belladonna and Cuny New Feminist Poetics & Activism at the CUNY Graduate Center, New York, NY.
2009 The Futurist Impulse After Futurism, curator Robert Haller, Anthology Film Archives, New York, NY.
2009 La Danse des corps, Festival Tout Court, Provence, France.
2009 Liquid Films, presenter Anna Brady Nuse, Kinetic Cinema at The Tank, New York, NY.
2009 Women Forward First Biennial Of Women In the Arts, Curator Yuko Nii, Williamsburg Art and Historical Society. Brooklyn, NY.
2008 Cinema Dance Eros Amy Greenfield and Kenneth Anger, curator John Mhiripiri, Anthology Film Archives, New York, NY.
2007 Cine Dance in America, curator Bruce Posner, National Gallery of Art, Washington, DC.
2007 From Darkness To Light, curator William Woods, New Filmmakers, Anthology Film Archives, New York, NY.
2007 Cine-Dance After Maya Deren, curator Robert Haller with Deirdre Towers and Joanna Ney, Dance On Camera Lincoln Center, New York, NY.
2006 Club Midnight, Silverlake Film Festival, Los Angeles, CA.
2006 Club Midnight, Boston International Film Festival, Boston, MA.2006 Poetry And Sex, curator Bob Holman, Bowery Poetry Club, New York, NY.
2004 Williamsburg Surreal Film Festival, curator Keith Wigdor, Williamsburg Art and Historical Society, Brooklyn, NY.
2004 Worldfest Houston International Film Festival, Houston, TX. (prize winner)
2003 Short Films, Sao Paulo Film Festival, San Paulo, Brazil.
2003 Short Films, Denver Film Festival, Denver, CO.
2003 Panorama Short Films, Berlin Film Festival, curator Marguerite Von Schiller, Berlin, Germany
2000 The Color Of Ritual The Color Of Thought Women Avant-Garde Filmmakers In America 1930-2000, curator Chrissie Iles, Whitney Museum of American Art, New York, NY.1998 Dancers, curator Robert Haller, Anthology Film Archives, New York, NY.
1998 Dancers, curator Robert Haller, Anthology Film Archives, New York, NY.
1995 Kultur, Russian National Television, Russia
1994 Drama 20/21 Seoul Nymax Festival of Arts Without Borders, curators Jonas Mekas and Nam June Paik, Anthology Film Archives, New York, NY.
1994 Elements The Body As Video Sculpture in Seoul/Nymax Festival, curated by Jonas Mekas and Nam June Paik, Anthology Film Archives, New York, NY.
1994 The Body Revealed Seoul Nymax Festival of Arts Without Borders, curated by Jonas and Nam June Park, Anthology Film Archives, New York, NY.
1992 Spanish National Television, Spain
1992 Videorama A Celebration Of International Video Art, The New York Film Festival, New York, NY.
1985 The Body In Film, curator R Bruce Elder, Art Gallery Of Ontario, Toronto, Canada
1985 Merrill Brockway and Amy Greenfield, Miami Dale Library, Miami, FL
1984 Video Art A History, curator Barbara London, Museum of Modern Art, New York, NY.
1984 Filmdance, Amy Greenfield, National Endowment For The Arts Touring program, Los Angeles, CA, Dartmouth, NH. and more
1983 Filmdance 1894-1983, New York Shakespeare Public Theater, curator Fabiano Canosa, New York, NY.
1982 Short Films, Edinburgh Film Festival, Edinburgh, England.
1982 Canadian National Museum of Science And Technology, Ottowa, Canada
1982 The Waves, London Film Festival, curator Ken Wlaschin, London, England.
1982 Harvard Dance Alumni, curator Claire Mallardi, Harvard University, Cambridge, MA.
1981 Works By Women, Barnard College, New York, NY.
1981 Meet The Makers, The New York Public Library, New York, NY.
1981 Carolee Schneenann & Amy Greenfield, Philadelphia College of Art, Philadelphia, PA1980 The Contemporary Art Center, New Orleans, LA.
1979 The Holographer’s Vision, curator Harvey S. Shipley Miller, The Franklin Institute, Philadelphia, PA.
1979 Women’s World Congress, Copenhagen
1979 Two Channel Video, curator John Hanhardt, Whitney Museum of American Art, New York, NY.
1979 Amy Greenfield The Wave, Wave II and Film Loops, curator by Jenny Oken, Film London Third International Avant-Garde Festival at the Hayward Gallery, London, England
1979 The Holographers Vision, curator Harvey S Shipley Miller, The Franklin Institute, Philadelphia, PA.
1979 Through The Looking Glass, curator Rosemary Jackson, Museum Of Holography, New York, NY.
1978 Holograms by Amy Greenfield, curator: Robert Haller, Pittsburgh Filmmakers, Pittsburgh, PA.
1978 Holograms, curator Charlotte Moorman, New York Avant Garde Festival, Cambridge, MA.
1977 Holodeon, curator Rosemary Jackson, Museum Of Holography, New York, NY.
1975 CineDance In America, WNET, New York City and State, NY.
1974 Atlanta Film Festival, judge Ed Emshwiller, Landmark Midtown Art Cinema, Atlanta, Georgia (Prize-winner)
1973 Toulon Film Festival of Young Cinema, curator Marcel Maze, Toulon, France.
1973 International Festival Of Women And Film 1896-1973, Toronto, Canada
1971 Women’s Film Festival, curator David Bienstock, Whitney Museum of American Art, New York, NY.
1971 Yale Film Festival, curator David Bienstock, Yale University, New Haven, CN. (Prize-winner)
BIBLIOGRAPHY
2010 Tompkinsville filmmaker wins fight with YouTube, by Michael J. Fressola, Staten Island Advance, March 28th, 2010
2010 YouTube Reconsiders Removal of Artistic Nudity, by Mark Millian, Los Angeles Times, March 24th 2010
2010 Both Sides of the Camera, by John Haber, New York Art Critic, March 16th, 2010
2010 Dispatches From The Web: Whose Tube?, by Giampaolo Bianconi, Saint Elliot & Company, March 2nd, 2010
2010 Who's Tube, by John Haber, New York Art.Crit, March 2nd, 2010
2010 YouTube Restores Amy Greenfield’s Videos, by Blog of the National Coalition Against Censorship, Blogging Censorship, February 25th, 2010
2010 Victory- YouTube Permits Amy Greenfield Art, by Kurt Opsahl, Electronic Frontier Foundation, February 25th, 2010
2010 YouTube Shouldn’t Block Works By Amy Greenfield, Geek News And Musings, February 24th, 2010
2010 What Am I Looking At: Amy Greenfield, Thomas Frank Blog, February 24th, 2010
2010 YouTube Removes Work With Artistic Nudity Claiming It Fails To Conform With Community Standards, by Donal Brown, First Amendment Coalition, February 23rd, 2010
2010 Video Artist Amy Greenfield Dropped by YouTube for “violating community standards”, by Regina Hackett, March 22nd, 2010
2010 YouTube shouldn't block works by video artist Amy Greenfield, by Xeni Jardin, Boing Boing, March 22nd 2010
2010 Letter to You Tube CEO, National Coalition Against Censorship, Feburary 22nd, 2010
2010 Pearls Before Swine, by John Haber, New York Art Crit, March 2nd, 2010
2009 Move The Frame, Amy Greenfield On Liquid Films, by Anna Brady Nuse, November 5, 2009
2009 Amy Greenfield catalog essay, Women Forward Celebrating Women’s History Month Catalogue, Williamsburg Art & Historical Center, March-April, 2009
2009 Finding A Muse in Mr. Spock by Michelle Vellucci, AM New York, January 28, 2009
2009 Amy Greenfield’s Multimedia Performance at the Nimoy Theater by Audrey Ross, Critical Dance, January 29, 2009
2009 Dancing in The Light Dance-Film Trek The Next Generation by Paul Ben-Itzak, The Dance Insider, January 30, 2009
2009 Club Midnight Flesh Into Light, by Evan, Dancing Perfectly Free, January 28, 2009
2009 The Female Nude, by Anonymous, Gay City, January 23 to February 5, 2009
2008 Womens Experimental Cinema, by David Sterritt, Cineaste, Summer 2008
2007 Hot Picks The Week Ahead In Entertainment Two Boots Two-Step, by Vince Musetto, New York Post, October, 2007
2007 Feet Films, by Deborah Jowitt, Village Voice, January 10 to 16, 2007
2007 Club Midnight, by Gerry Mak, Flavor Pill, October 2 to 8, 2007
2007 Amy Greenfield Film Dynamic Movement and Transformation, by Robert Haller, Women’s Experimental Cinema Critical Frameworks, 2007
2002 We Too Are Alive Poems After And Before 9/11/01, by Amy Greenfield, Solstice Press
1999 Crop Rotation, by A.D. Coleman, Hampton's County Magazine, July 1999
1997 Weekend Plus, by Vince Musetto, New York Post, November 14, 1997
1997 The Cognitive Body, by R. Bruce Elder, A Body of Vision Representations of the Body in Recent Film and Poetry, 1997
1997 Amy Greenfield In Person, by Stefan Pierce, Harvard Film Archive, Carpenter Center for Visual Arts Harvard University, July to August, 1997
1997 Film Strip, by Tom Murrin, Paper Magazine, February 1997
1996 Free-Spirited Progeny of the Long Romance Between Dance and Film, by Jennifer Dunning, New York Times, December 7, 1996
1996 Dance Choices, by Gia Kourlis, TimeOut New York, November 15-21, 1996
1996 Weekend Post Plus, by Vince Musetto, New York Post, November 15, 1996
1996 Raw Edged Women Erotic Multimedia Theater by Amy Greenfield, by Fabiano Canosa, Anthology Film Archives schedule, September 20, 1996
1995 Man & Machine Technology Art, by Hon Hee Kim, Dong-Ah Gallery, July, 1995
1994 Best In The Arts and Entertainment, by Jennifer Dunning, New York Times, December 25, 1994
1992 Making Antigone/Rites of Passion Interview With Amy Greenfield, by Tony Pipolo, Millennium Film Journal, Fall, 1992
1991 Greenfield’s Antigone/Rites for the Dead, by Lewis Archibald, Downtown, Oct 01-November 6, 1991
1991 Museum Series Highlights Woman Film Makers, Cleaveland Observer, April 1991
1991 Return Engagement, by Clara McHugh, New York Observer, May 13,1991
1991 Reel To Reel Antigone/Rites of Passion, by Preeti Chawla, Village Voicei, July 30,1991
1991 Stunning Antigone is Wild Passionate, by Iris Fanger, Boston Sunday Herald, November 3, 1991
1991 Antigone Rites Is A High Minded Visual Poem, by Debra Cash, The Boston Sunday Globe, November 3, 1991
1991 Antigone/Rites of Passion, a Fresh Meaning to Tragedy, by Kevin Thomas, Los Angeles Times, November 22, 1991
1990 Antigone Dance Scenes Polish Up Classic, by Laurie Horn, Miami Herald, September 21, 1990
1990 Antigone/Rites For The Dead, by BG, New Times Miami News And Arts Weekly, Sept 19 to 25, 1990
1990 Antigone/Rites for the Dead, by Marianne McDonald, Helenic Chronical, October 4,1990
1990 Antigone/Rites for the Dead, by Lor, Variety, October, 1990
1990 Choreographer’s Vision of Antigones Tragedy, by Jennifer Dunning, New York Times, November 1, 1990
1990 Amy Greenfield’s Finely Spun Antigone, by David Sterritt, Christian Science Monitor, November 27, 1990
1989 The Body As Knower, by R. Bruce Elder, The Body in Film, 1989
1986 Amy Greenfield Using Her Grant to Make New Film, by Michael Fressola, Staten Island Sunday Advance, March 12, 1986
1986 Two Woman Inventing Tradition's by Beth Jackendoff, Staten Island Sunday Advance, March 23,1986
1985 The Video Scene, by Deirdre Towers, Dance Magazine, May, 1985
1985 Video Dance Featured at Library Today, by Laurie Horn, The Miami Herald, March 23,1985
1985 Tompkinsville Greenfield Films Greek Tragedy by Michael Fressola, Staten Island Sunday Advance, January 13, 1985
1984 Filmed in Grafton Antigone Starts, by William Craig, Valley News, October 2, 1984
1984 L’Avant-Garde a Londres, by Katerina Thomadaki, Ecran, October, 1984
1983 Filmdance 1890s-1983, edited by Amy Greenfield, Experimental Intermedia Foundation, December, 1983
1983 Amy Greenfield Artist Statement, by Amy Greenfield, Film Dance 1890s to 1983, December, 1983
1983 Film Dance Space Time & Energy, by Amy Greenfield, Film Dance 1890s to 1983, December, 1983
1983 Camera is Part of Performance in Film Dance Festival at the Public, by Doris Diether, The Villager, December 1, 1983
1983 Festival of Dance Films Survey Nine Decades, by Jennifer Dunning, New York Times, November 29, 1983
1983 Dance Vision, by John Gruen, Dance Magazine, November, 1983
1983 Amy Greenfield, by Burt Supree, Village Voice, November 15, 1983
1983 Manhattan Shortcuts, by Ann-Sargent Wooster, Afterimage, Summer 1983
1983 Imager of Dance, by Georgine Maniscalchi, Harvard Magazine, May-June 1983
1983 Crewing The Dance, by Ernest Leogrande, New York Daily News, March 21, 1983
1983 Cineprobe An Evening With Amy Greenfield, by Robert Haller, Museum of Modern Art, Department of Film program notes, March 21,1983
1983 Amy Greenfield, by Rosenberg, Jan. Women’s Reflections The Feminist Film Movement, 1983
1982 Amy Greenfield’s Tides, by the curator, Edinburgh Film Festival, Summer, 1982
1982 Harvard Dance Alumni, by Christine Temin, The Boston Globe, April 18, 1982
1982 Film and Video and Film, by Amy Greenfield, Video Roma, Dec. 1982 to Jan. 83
1981 NYC Dance Film Maker to show Video Tapes in Berkeley, by Janice Ross, The Miami Tribune, May 8, 1981
1980 Amy Greenfield, by Robert Haller, Sheldon Memorial Film Theater Catalog Sheldon Memorial Gallery, Lincoln Nebraska, Winter, 1980
1980 Videodance, by Eric Taub, Dance Magazine, August, 1980
1980 Amy Greenfield, by Robert Haller, Millenium Film Journal, Spring, 1980
1980 Video Film Artists Use Dancers To Create Moods, by Jennifer Bauman, Daily Nebrasken, Dec. 3, 1980
1980 Prisoner of the Lens, by Deborah Jowitt, Village Voice, June 23, 1980
1980 A Self Interview, by Amy Greenfield, Downtown Review, Spring 1980
1980 Amy Greenfield at PS1, by Ann Sargent Wooster, Village Voice, Jan. 18, 1980
1980 Amy Greenfield’s Hologram Film Installation at the Hayward Gallery London, by Jenny Okun, Field Of Vision Winter Spring, 1980
1979 Amy Greenfield, by Julie Gustafson, Global Village program notes, December, 1979
1979 Holography Exhibit At The Franklin, by Timothy Daugherty, The Philadelphia Inquirer, October 30, 1979
1979 Amy Greenfield, by Robert Haller, Film London Expanded Cinema Third International Avant-Garde Festival, June 9 to 17, 1979
1979 Dance Dynamics as Video Concept, by Marylynn Uricchio, Pittsburgh Post-Gazette, June 5, 1979
1979 Meredith Monk’s Songs and Amy Greenfield’s Filmdance, by Mindy Aloff, Art Week, May 12, 1979
1979 Integral Holography: The Motion of Circular Space by Amy Greenfield, The Franklin Institute Press, Sept. 26, 1979 to March 21, 1980
1979 Video Tape for A Man and A Woman, by Robert Haller, Field of Vision, Summer 1979
1979 Dancer Creates A Visual World, by Joy Krause, The Milwaukee Journal, March 1,1979
1978 Les Apparences Du Corps, by Susan Buirge, Canal, December 1978
1978 Greenfield’s Holograms Infectious Hint of 3-D Photographic Art to Come, by James Irwin, Pittsburgh Post Gazette, June 1,1978
1978 Getting into the Act: Video In Live Performance, by Peter Z. Grossman, Publication Videography, March 1978
1978 Through the Body: A Dialogue between Carolee Schneenmann and Amy Greenfield, by Bruce McPherson, Field of Vision, Fall 1978 #4
1978 Element Two Interviews, by Robert Haller, Field of Vision, Fall 1978
1978 Screw of the Turn, by Deborah Jowitt, Village Voice, Jan. 18, 1978
1978 Dialogue for Cameraman & Dancer, by Robert Haller, Film Library Quarterly, Nov. 4, 1978 Vol II
1977 Amy Greenfield At The Experimental Intermedia Foundation and The Museum Of Holography, by Robert Haller, Field Of Vision Fall 1977-Winter 1978
1977 Holography Cubic Reflections in a Transparant Paradox, by Howard A Unger, Soho News, October 6, 1977
1977 Offbeat Films Unreeling, by Edward Blank, Pittsburgh Press, Sept. 22, 1997
1976 Towards an Aesthetic of Video Dance, by Richard Lorber, Arts in Society Growth of Dance in America s in Society, Summer/Fall 1976 Vol 13, #2
1976 Doing It In Mud, by Robert J. Pierce, Soho Weekly News, March 25, 1976
1975 13 Replies for a Video Editorial, by Richard Lorber, Dance Scope, Jan 30, 1985
1975 Amy Greenfield, by Eugene Bonet, En Torno Al Video, 1975
1973 Women & Video An Introduction to the Community of Video, by Carol Zemel, Arts Canada, Oct. 1973
1972 The Art Of The Camera, by Valerie Restive, Boston Herald Traveler, ____, 1972
SELECTED COLLECTIONS
please contact the gallery for a list
AMY GREENFIELD
Lives and works in New York
Born USA | 1950
EDUCATION
Harvard University, BA
AWARDS
Harvard University: Honored for Contribution to the Arts
Fulbright Foundation: Honored for Contribution to the Arts
Who’s Who in American Art
1994 The Jerome Foundation: Grant in film
1994 New York Times, 10 Best in Arts & Entertainment, Dec 25.
1990: New York State Council On The Arts: Grant In Film Distribution
1987 National Endowment For The Arts: Grant for tour of FilmDance. Curator
1986 New York State Council On The Arts Regrant Program: Grant in film.
1985 New Hampshire Council For The Humanities: Grant In Film
1985 National Endowment For The Arts: Grant in Dance/Film/Video
1980-81 National Endowment For The Arts: Grant in Media
1979-80 Rockefeller Foundation: Arts fellowship in Video and Holography
1978-79 National Endowment For The Arts: Grant in Media
1975-76 National Endowment For The Arts: Grant in Media
1973-75 Fellow of the Radcliffe Institute