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PULSE ART FAIR
Solo Show featuring Jeremy Dean
Booth B-14
Run Dates: March 4th - March 7th 2010
VIP Reception: Thursday, March 4th, 9am-noon.
Location: Pulse New York art fair Booth B-14
Daily: Thursday- Sunday 12-8pm
Directions: 330 West St.@ West Houston New York, NY 10014
With the support of CTS a 50 page color catalogue was produced for this exhibition. Please contact the gallery at 718.569.0903 or directly on-line
For additional information, a price list, hi-rez images, and/or an artist press kit, please contact us |
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FOR IMMEDIATE RELEASE
There comes a point in art and life when you have to take a risk and put it all on the line for what you believe in, so my wife and I took our life savings combined with the contributions of a few brave friends, bought a Hummer H2 and destroyed it the same day, for the sake of art.
{CTS} creative thriftshop is honored and overjoyed to announce that Jeremy Dean‘s converted Hummer, the first true custom hybrid car will be on view at the Pulse Contemporary art fair March 4th- March 7th, 2010 at the fairs’ new location 330 West Street in New York City.
In the midst of the worst economic recession since the Great Depression, acclaimed filmmaker and artist Jeremy Dean has captured the turmoil of the times with a cutting edge new piece of interactive large-scale sculpture.
Dean has taken a gas guzzling 8 mile-per-gallon HUMMER H2, a symbol of extravagance, and converted it into a working horse drawn cart. Dean has pimped it out with silver chrome, working LED lights and a booming audio and video system. He calls this piece the “CEO Stagecoach.”
The concept for the “Futurama” series combines the traditional focus on function and horsepower in early modes of transport with the car industries’ advancements since. Part car - part carriage, this line of eight proposed converted vehicles juxtaposes the history of the automobile, developments of the car industry, current moment of automotive market crisis and the individual’s ability to be driven to create in order to meet means. Dean’s vehicles reference horse drawn carriages which are no longer primary transport for aristocratic elite, the once glorious now gratuitous SUV culture of recent past, and the jalopies that were a bi-product of the Depression.
Here the artist’s work weaves a fanciful story of the little known Hoover Carts of the Great Depression. As the economy worsened to a point that people could no longer afford gasoline for their newly financed Model Ts, to cope, the owners removed the engines and attached horses to their cars. These contraptions became known as “Hoover Carts” named after President Hover and in Canada they became known as “Bennent Buggies,” named after their Prime Minister.
The title of the series “Back to Futurama,” is a play on the GM Futurama display at the 1939 World Fair where GM made grandiose predictions about the future and how the automobile would save the world. “I have always been interested in exploring contemporary issues by deconstructing and re-contextualizing iconic symbols to gain perspective and understanding about the world in which we live. This has been even more important to me in the current state of economic, environmental, and political instability. This project uses an American symbols of power and status to questions our future by looking at a past response to excess and subsequent collapse.”
Taking the logic of the past, Jeremy Dean’s body of work makes a satirical prediction of the future “If we don’t rethink our reliance on a hyper-inflated, consumption-based oil economy, we may be left with no other options than to hook our cars up to a horse. This is an exploration of historical amnesia, the culture of excess, financial collapse, sustainability and the future, through leather steel and chrome.”
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***UPDATED INFO*** Be a part of New York City history! Meet us at 69th St. and Central Park West (at the old Tavern on the Green location) from 10am-1pm Monday March 8th 2010 as Jeremy Dean takes his Future mobile out for a spin. Pulled by two white horse rapidly names Duke and Diesel this event is not to be missed. If you read about this project in the New York Times, The NY Post, The Wall Street Journal, or the dozens and dozens of blogs on line now is the time to see it in action. You can RSVP with your full contact information and hope to win a chance to actually ride in the vehicle of the future.
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Image courtesy of {CTS} creative thriftshop, New York.
Installation View: Jeremy Dean, CEO Stagecoach, {CTS} creative thriftshop Booth B-14, Pulse Contemporary Art Fir Booth, New York, NY. 2010 |
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Image courtesy of {CTS} creative thriftshop, New York.
Installation View: Jeremy Dean, Futurama Series , {CTS} creative thriftshop Booth B-14, Pulse Contemporary Art Fir Booth, New York, NY. 2010 |
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Image courtesy of {CTS} creative thriftshop, New York.
Installation View: Jeremy Dean, Futurama Series , {CTS} creative thriftshop Booth B-14, Pulse Contemporary Art Fir Booth, New York, NY. 2010 |
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Notes from the curator: We were introduced to Jeremy in April 2009. He came to us with a small box and a big idea. At a time when most of us are scaling back, easing off the accelerator petal, and hunkering down, Jeremy Dean ask us to dream really, really, BIG.
After a dozen or so false starts and meeting that went no where with directors, foundations, non for profits, car companies, city agencies, and media companies we decided just six weeks out from Armory Art Week, that it was now or never. That we get this done or it may never happen. That while yes, we feel this work will stand the test of time regardless of when it is shown, the conversation it inspires is so relevant and so now we had to make this project a reality.
With acceptance letters from from all the major art fairs in New York in hand and an artist that has no real portfolio to speak of we decided for us and our program what Jeremy wanted to create was a challenge in every way and CTS loves a challenge.
The production of the Futurama series to us represented that David and Goliath story when our current political and financial mood seems insurmountable by the average citizen and an artist that we barely knew at the time wanted us to pour every resource we had into a dream. This project for us was HUGE, over the top, amazing, ridicules almost and utterly impossible ... he wanted to build or convert the world’s largest vehicle, a Hummer, into a carriage of sorts that horses pull and than rewire the whole vehicle so that it works- I mean... he’s a film maker by trade...our fear was can he really do this? Could he deliver?
And here we are just 6 weeks later both of us having poured every dollar we had available in making this possible and when we first got to stand before the finish piece, we were floored. It really does stand as testament not only to American ingenuity and gumption but for our industry... it that go big or go home... Now is the time to say what you mean say it loud say it clear and say it proud. He created this mammoth testament to our modern times in a way that only large scale contemporary art can. Our hope is years and years from now this piece will act as a marker... a place holder in our collective time line
about the artist: Jeremy Dean has built a reputation for exploring the American dream and human progress through art. Deconstructing and re-contextualizing iconic symbols of power and wealth, his work addresses social, political, economic and cultural issues. Dean’s recent feature film “Dare Not Walk Alone” received Official Selection in over a dozen film festival from San Francisco to New York City, has been mentioned in numerous national publications such as the New York Times, the Village Voice, The L.A. Times, The Independent Film Magazine, and Variety. And has been called "a powerful slice of roiling American history". --Robert Abele, Los Angeles Times. His films have screened in theaters across the country as well as at The Brooklyn Academy of Music (BAM) and The Queens Museum. He was inducted into the Writers Guild of America in 2007.
about the gallery: CTS is quality art on the move. Championing provocative content driven work by local and international mid-career, underrepresented, and emerging artists in all media. Our goal is to build an infrastructure that knows no boundaries, one that carries the torch of modernism acting as a vehicle for dreamers, a cultural meeting place for great minds, an international community of inter connectivity and expandability. CTS exhibitions and artist have been touted in many local and international publications, including The New York Times, La Republica, Miami Herald, The Chicago Tribune, Art Nexus, Art Review, Art in America, Art Forum, Flash Art, NYarts Magazine, L Magazine, Flavor Pill, Miami Art Guide, Artnet, Art Info and TimeOut New York.
about the art fair: Pulse Contemporary art fair is the leading US art fair dedicated solely to contemporary art. Held annually in New York and Miami, PULSE bridges the gap between main and alternative fairs and provides participating galleries with a platform to present new works to a strong and growing audience of collectors, art professionals and art lovers.
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Video courtesy of {CTS} creative thriftshop, New York.
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Jeremy Dean,
CEO Stagecoach, 2010, converted HUMMER H2 with leather seats, chrome rims, working audio and entertainment system, approx. 144x96x96in. (366x244x244cm)
8 model in series. Each available in Black or Chrome finish Image courtesy of {CTS} creative thriftshop, New York. |
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Jeremy Dean,
CEO Stagecoach (detail), 2010, converted HUMMER H2 with leather seats, chrome rims, working audio and entertainment system, approx. 144x96x96in. (366x244x244cm)
8 model in series. Each available in Black or Chrome finish Image courtesy of {CTS} creative thriftshop, New York. |
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Jeremy Dean, CEO Stagecoach (Black), (from the series Futurama) 2009, mix media sculpture with plastic, leather, and metal, approx. 3x3x12in (8x8x30cm) |
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Jeremy Dean, Golden Parachute (Black), (from the series Futurama) 2009, mix media sculpture with plastic, leather, and metal, approx. 3x3x12in (8x8x30cm) |
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Jeremy Dean, Lobbyist (Black), (from the series Futurama) 2009, mix media sculpture with plastic, leather, and metal, approx. 3x3x12in (8x8x30cm) |
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Jeremy Dean, Soccer Mom (Black), (from the series Futurama) 2009, mix media sculpture with plastic, leather, and metal, approx. 3x3x12in (8x8x30cm) |
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Jeremy Dean, Sweet 16 (Black), (from the series Futurama) 2009, mix media sculpture with plastic, leather, and metal, approx. 3x3x12in (8x8x30cm) |
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Jeremy Dean, The Speculator (Black), (from the series Futurama) 2009, mix media sculpture with plastic, leather, and metal, approx. 3x3x12in (8x8x30cm) |
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Jeremy Dean, Mo Money (Black), (from the series Futurama) 2009, mix media sculpture with plastic, leather, and metal, approx. 3x3x12in (8x8x30cm) |
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Jeremy Dean, CEO Stagecoach (Chrome), (from the series Futurama) 2009, mix media sculpture with plastic, leather, and metal, approx. 3x3x12in (8x8x30cm) |
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Jeremy Dean, Golden Parachute (Chrome), (from the series Futurama) 2009, mix media sculpture with plastic, leather, and metal, approx. 3x3x12in (8x8x30cm) |
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Jeremy Dean, Lobbyist (Chrome), (from the series Futurama) 2009, mix media sculpture with plastic, leather, and metal, approx. 3x3x12in (8x8x30cm) |
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Jeremy Dean, Soccer Mom (Chrome), (from the series Futurama) 2009, mix media sculpture with plastic, leather, and metal, approx. 3x3x12in (8x8x30cm) |
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Jeremy Dean, Sweet 16 (Chrome), (from the series Futurama) 2009, mix media sculpture with plastic, leather, and metal, approx. 3x3x12in (8x8x30cm) |
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Jeremy Dean, The Speculator (Chrome), (from the series Futurama) 2009, mix media sculpture with plastic, leather, and metal, approx. 3x3x12in (8x8x30cm) |
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Jeremy Dean, Status Quo (Chrome), (from the series Futurama) 2009, mix media sculpture with plastic, leather, and metal, approx. 3x3x12in (8x8x30cm) |